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| Citrus & squid salad @ Flour + Water |
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| Smoked trout w/ beets, huckleberries & toasted seeds @ Central Kitchen |
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| Sushi @ Blowfish SF |
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| Citrus & squid salad @ Flour + Water |
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| Smoked trout w/ beets, huckleberries & toasted seeds @ Central Kitchen |
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| Sushi @ Blowfish SF |
I grew up in the sleepy, safe, bucolic Central Jersey town of Hillsborough and despite the state's reality TV reputation, I had an extremely lovely childhood. But my wonderful adolescent years notwithstanding when I go home to visit the 'rents nowadays I find the restaurant options to be few and (literally) far between. Until recently when we discovered One 53 in the neighboring town of Rocky Hill. Nestled down a sleepy country-town road this spot attracts both the Princeton Sophisticates and the Rural Glitterati who not only favor farm-to-table but actually live next-door to the food purveyors themselves. The restaurant is a welcome oasis in the country with suburban prices but city level cuisine.

The meal was capped off by another of Kerr's Kornstand delicacies - a grilled peach accompanied by decadent scoops of vanilla ice cream, dusted with caramel sauce and thin ribbons of fresh basil. And as we sat there in the cozy room, a hub-bub of conversation and warm food filling the air inside while the dark, still, star-filled sky consumed the air outside, I sat back and breathed in my home town. And as I sipped my wine, I was happy to know that I'll always have my own Jersey-grown retreat in my childhood's backyard.
Arriving in Tokyo four days ago after the most pleasant and elegant flight I have ever traveled, complete with linen tablecloths, tasting menu and effervescent wines we glided through Narita Airport and easily picked up railway tickets. And then we were off. Hurling at high speeds through the Japanese countryside towards the shining megalopolis that is Tokyo. The second our train spit out of the station my mind was abuzz. I was afraid to blink for fear I'd miss a sight as we sped by. The neatly lined crops, the countryside architecture, the flashes of people. In what seemed like the fasted hour and a half imaginable (is it possibly time moves quicker here?) we arrived at Shinjuku station, the busiest in the world. Not a moment of looking at a map with a befuddled gaze did a woman approach us and kindly explain that "she had been to NYC four times and people were so helpful, could she escort us to our destination?" I put aside my European-travel knee jerk reaction that she was trying to con us and allowed the kindest woman in sweet-broken English to guide us in the right direction and get us squared away with our white-gloved taxi driver.
Walk into Corton and the first thing you notice is the static hum of silence. Followed by the stark whiteness and bright lights. You're not sitting in a restaurant with reveling diners. You're perched atop a delicate pew in the church of culinary precision. Every detail in the place from the staff's subdued demeanor, to the shoulder height windows peering into the pristine kitchen, to the neutral color surroundings is crafted so the food is the focus. Akin to being in the presence of the Mona Lisa, when the room surrounding her seems to dissolve into your periphery, the setting seems to fade as the food is placed at arms length. 
Often at Izayakas I feel that each dish is like its own little gift and that every plate demands attention to its own unique details. The Uni Sashimi came four pieces to an order and was accompanied by a jewelry box filled with fresh nori (seaweed) allowing each bite to be delicately crafted at your seat. The mixed Japanese mushrooms with (fermented) sake lees, miso, and butter were tangy and refined. The grilled clams came with their own pyrotechnical accompaniment; I wasn't sure if we'd eat them or just get lost staring at the mini flame.
Yopparai
I haven't had many facials in my life. And up until the most recent one I wouldn't say I exactly enjoyed them either. I remember my first facial felt like something out of a spooky Stepford wife science experiment complete with warm gases, florescent lights and poking. The next felt like I had been snuck under Iron Curtain Russia where my esthetician gained some sick pleasure from keeping me guessing and alert. But recently I was treated to the finest, most relaxing facial at Silk Day Spa. 
I'm not a fan of brunch. In fact, I just don't understand the appeal of the whole thing. Wake up early, presumably hung over, go battle with other equally bleary eyed
and hungry crankies only to wait an hour for a table that was supposed to be ready 20 minutes ago, and once seated sip watered down, high calorie cocktails while the chef grits his teeth because he presumably had to get up even earlier and probably even more hung over. Whoa. I just worked myself up quite a bit. And over what? A meal that is trying to find it's place between breakfast and lunch. I'm sorry. Brunch can be great...
And when I do find my self up-and-at-em before noon on a Sunday the first place I want to find myself is Locanda Verde. Fact is I'd be happy to find myself there for any meal but they seem to be doing something extra special for 'brunch' and who am I to argue with excellence.
I love ketchup. Always have. It's been said that french fries, to me, are merely a vehicle to deliver the sweet red condiment to my mouth. The proportion of ketchup to ketchup delivery vehicle often borders on obscene, but it would be unladylike to just eat it with a spoon, right? But as much as I enjoy the tomato based condiment, every fiber in my being also thinks it's disgusting. The concentrated, mass produced, high fructose corn syrup laden variety that we've all grown up with has lost a little of it's gelatinous luster to me since I learned that one of the main ingredients is "natural flavoring." Why does a product made from vegetables need natural flavoring? Something's amiss in the kitchen if the vegetables can't naturally flavor the recipe* on their own.
But, there is hope for our palettes yet. I recently sampled two types of Sir Kensington's Gourmet Scooping Ketchup and I was delighted to find this new product on the market (and available at some fantastic restaurants). Sir Kensington's Classic ketchup was hearty and full of flavor. You could actually taste the ingredients** and they were naturally sweet, marinara-like and delicious. The Spiced ketchup had a peppery kick; savory yet smooth salsa-like which complimented sweet potato or regular french fries perfectly. Both were wholesome and absolutely delicious. No aftertaste, no artificiality, nothing but naturally perfect ketchup; which makes it easy to love.
Comparing Sir Kensington's ketchup with the brand we're all used to (practically the brand which is synonymous with ketchup itself) I found the later tasted sharp, artificial, generic and saccharine. Even sitting side by side, one was oddly smooth with a high-gloss sheen and one looked real with ingredients you could see and taste. One tasted puckeringly unnatural and one tasted mouthwateringly wholesome. And after eating a meal accompanied by Sir Kensington's product I can now say that I no longer hate that I love ketchup and I can proudly say that I just love ketchup...Sir Kensington's ketchup.
It makes sense that the fanciful and flavorful creations coming out of Alex Stupak's kitchen look like delicate, edible Mexican sculptures. With a pedigree as pastry chef at WD~50 and Alinea one would expect magic from Chef Stupak. And what he delivers is nothing short of surprising wonders...much needed wonders.
Everything you order in the comfortable yet cool dinning room is brilliantly askew. Any expectations you have will be turned slightly to the slide and you'll be given some welcome surprises. Whether it's the Rooster’s Claw cocktail of Reposado tequila, mango and surprisingly spicy HabaƱero - woo, what a kick! The pillow like, lightly fried Gordita atop sweet and savory smoked plantains and chorizo; upon cutting into the flying saucer shaped Gordita one will be pleasantly surprised by the oozing egg yolk that perfectly merges the flavors and textures. The hearty and earthy Hen-of-the-Woods Mushrooms with Black Bean Vermicelli was savory and refreshing all at once. The sweet and perfectly cooked Maine Diver Scallops surrounded by small and savory Surryano Ham and delicate Chilaquiles (corn tortillas cut into small squares and lightly fried to a crisp).
you will be led through a venerable maze of dark wood, candle-lit shadows, oddly placed mirrors and bamboo curtains concealing private dinning booths and culinary secrets. Once seated in your cozy booth you can only begin to imagine what devious acts are taking place merely feet away from you. You struggle to make out the face of another patron amid the dark lighting and optical allusion created by the setting. You hear voices in the distance only to find no person connected to them. It's fun and romantic and unlike most restaurants in NY.
Ring the table top silent buzzer and a waitress appears and lifts the curtain to take your order. While the a la cart menu has many appealing dishes the $65, 8-course tasting is the way to go. Cover all your bases and give into the labyrinth. The menu changes seasonally but you can likely count on fresh sashimi, seasonable vegetables, a tempura dish and my favorite, the Zenkichi Salad (a simple dish of greens, homemade soft tofu, peanuts and a light sesame dressing). Other standouts off the tasting menu were the flaky and sweet Miso Cod and the Yellowtail Donburi (delicious tuna over perfectly seasoned rice). Several choices for desserts which the table should share and I recommend a scoop of Walnut Chocolate Pudding goes really well with a sliver of Black Sesame Mouse all cut by the Milk Tofu. A few bottles of sake and you may not want to (or be able to) find your way out of the maze. And while I'm not running back so quickly for the food, I found my evening within this Japanese labyrinth to be a very Zen one.